As soon as you turn up to an average listening level it’s not noticeable it distracting at all. Returning to my earlier mysterious reference to the only other monitor being quite like the IN8 being one which costs ten times as much. The unique architecture of the Midrange and Tweeter eliminates off-axis lobing, giving the IN-8 an incredibly accurate, lifelike stereo image. The results were interesting and my overriding impression was just how good the LP6 is. There are lots of reviews and shootouts around. The LP6 needs somewhere around 4.5 feet to 5 feet of distance between them to really open up the soundstage. Cheap is a simple message, which everyone understands. With engineering at the forefront, Kali aims to make loudspeakers and related products that present the best possible value to our customers. I played the same mixes on the krk and clearly heard my bass. The physics of this dual concentric arrangement is seductive but it’s not without issues. As such, the WS-12 is powered by a 1000W power amplifier mated to a high-excursion 12-Inch driver. Kali Audio IN8 Monitors Tested - How Can These 3 Way Dual Concentric Monitors Cost So Little? This doppler modulation is an interesting case as it is inherent to the design of a two-way dual concentric driver. These are definitely not meant to be placed on your table closeup. The flatter, more extended response of the IN8 was clearly better but I have to confess they came across as a little flat compared to the attention-grabbing LP6. If I put my ear near the tweeter I hear it as I would with others and I'm highly sensitive to high end. All the studio monitors I have a interest for and have considered purchasing have forum threads about their hiss. Warren Huart never mentioned anything about the noise level of Kali speakers when he had a Kali founder on one of his recent videos. Personally the gentle white noise that comes out of these doesn’t bother me at all even listening at low bedroom levels. Used at their recommended maximum listening distance of 2.8m you’re still likely to hear the noise when not passing audio. ..sweet new midrange! The mid-forward character of the LP6 I commented on in the test is even more striking when compared to the more restrained IN8. When you buy products through links across our site, we may earn an affiliate commission. Can’t be that great at that price, surely? The Kali Audio IN-8 Studio Monitor is a speaker like no other. You may get a speaker that has an audible hiss. The bass performance is a little more extended and lacks the tightness of the characteristically dry bass of the KH310 but performance-wise it’s different but I’d be happy working with either monitor. No hiss noise from the sub. I could barely feel the bass in my mixes on the Kali IN8. You may get a speaker that has an audible hiss. The monitors to which I was referring are Genelec’s The Ones. Kali Audio's WS-12 is a 1000W, 12″ powered subwoofer for studio & live use. Presonus’ Sceptres are an example of another take where a horn is mounted in front of the bass/mid driver but the arrangement presented by Kali is a soft dome tweeter mounted in the centre of the midrange driver, inside the voice coil of the midrange driver. The setting for these switches is illustrated by some nice, clear diagrams on the rear panel. All in all the IN8 is a very attractive proposition. Most of us are aware that having audio being reproduced by multiple drivers from multiple points in space causes time of arrival differences resulting in comb-filtering effects. I know, I know, Behringer but they were free. The LP6 was a little “shouty” by comparison but still made a very acceptable noise. I am aware that at this price range you have to compromise, yet I am a bit worried about the hiss/humm sound. The Dual Concentric Mid/High drivers of the IN8. This is where the wisdom of this three-way design of the IN8 becomes apparent. 2-Way Or 3-Way Monitoring Systems? These are definitely not meant to be placed on your table closeup. Key Features: Despite launching as recently as 2018, Kali Audio have attained a tremendous level of attention in the audio world in the short timeframe they’ve been around for, with audio professionals praising the company’s intuitive approach to making their budget near-field monitors sound as if they’re punching far above their price-tag. ..3way(ish) design. Two-way is very much the order of the day when designing a competitively priced monitor and when we tested the Kali LP6 we found an extraordinarily good value, two-way monitor. Together they act as an acoustic point source. However, while it may not have any direct competition, is it any good? He has been working in education since 2006, during which time he has introduced many new users to Pro Tools. And is there any chance they gonna find a way to reduce the hiss?! it doesn’t have the no-brainer appeal of the LP6. Share. It sounds good, is eminently useable in a small to medium-sized studio and as long as some slightly noisy electronics aren’t going to be a problem for you you should definitely check them out. Whatever else is on your shortlist of 3-way monitors had better be good as they will definitely cost more than these do. Kali LP6 Monitors Tested - Are They As Good As People Say? Apart from this, it’s all embarrassingly good. A combination which is so unusual it may be unique. in the vid you can see a card on the speaker that says $399. Introducing a third, midrange driver allows the bass driver to do bass, the tweeter to, err tweet, and the middle of the midrange can be kept clear of the crossover. Also, using a video to judge noise is just silly when factoring mic type, mic gains, & environment. The unique architecture of the Midrange and Tweeter eliminates off-axis lobing, giving the IN-8 an incredibly accurate, lifelike stereo image. I get almost zero noise when my lp-6s are at max volume through my saffire pro interface. That’s a great price but kind of concerns me when it comes to the frequency range. Tannoy are of course the most famous name associated with dual concentric monitors, in their case mounting a horn loaded tweeter in the centre of a large bass/mid driver. , Kali is not for me then... Also had a noise problem with my dynaudios and jbls, bought a power conditioner and it went away. Old recordings of Metallica sound trash on them .. maybe they're poorly recorded. If you’re asking what the catch is then this is it. - Production Expert Podcast Episode 417, What Is Acoustic Phase? I'd check your interface, connections and power supply. For example, if you were to play a 10K tone and a 40Hz tone simultaneously from a 2-way dual concentric driver the 10K tone would be heard to have a 40Hz vibrato applied to it! Anyone have a clue on the price? Mind you, we want our monitors to be flat so…. This means that the IN-8 creates a hyper-realistic soundstage and can be used both vertically and horizontally. Which One Should You Use. One of the key design specifications for the WS-12 is that it be capable of providing bass management in a 5.1 system where all of the full-range speakers are Kali IN-8s. Monitors, What Are We Using? Wonder if it will be in the sub-$1K category. Kali Audio was started in January 2018 by some of the Professional Audio Industry’s most passionate individuals. The top-end performance is rather more different. Mid-Range Driver: 4-Inch Optimized Profile Poly-Coated Paper, Recommended Listening Distance: 1 - 2.8 Meters, Julian Rodgers has a background in live sound and has been a Pro Tools user since 2001. A second issue is that of doppler shift causing modulation of the HF driver’s output. That’s may well be true but I’m very much of the opinion that the room affects imaging more that the monitor does. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter and acts as its waveguide. The crossover frequencies are at 330Hz and 3KHz leaving almost a full decade of the information centred around 1KHz to the midrange driver. It does! These are, of course, very high-end monitors and I’m not suggesting that they are similar in performance but they are the only other design I’m aware of which uses this three-way approach to remove bass frequency modulation. So far, so self-explanatory. Contact Kali Audio. Listening position 3-5 feet away inaudible with nothing playing. The IN-8 has a midrange driver that surrounds the tweeter and acts as a waveguide. The LP6 needs somewhere around 4.5 feet to 5 feet of distance between them to really open up the soundstage. The 2nd flaw is applicable to small rooms. WOW this looks awesome!! I have a Monster power surge supressor that has some noise filtering but I really think it's the speakers themselves that are quiet, given what I heard testing the LP-8 at another studio. It had the same low noise performance I had in my own studio. We investigate. The IN8 sounding noticeably brighter but with a slight timbral shift at the bottom of the top end around 6KHz and a little more fulness in the lower midrange, which always suggests cabinet artefacts to me, though I can’t confirm where this slight (and it is slight) congestion comes from. Kali Audio are relative newcomers to the entry-level nearfield monitor market, and our esteemed Executive Editor Paul White reviewed the company's least expensive model, the LP‑6, back in the December 2018 issue. Not to buy them, but because i like the LP6 a lot and they got me interested in following the news on the newer models from this company. Kali Audio's IN-8 is a 3-way studio monitor with an 8-inch woofer and a 4-inch midrange with a coaxial 1-inch tweeter. However, while it … Authored 24 September 2020 by Mixdown. -Makes a weird catching light scrape sound like the Mackie HD824 playing Jamie XX Reconsider at 2:20-The most extreme, ragged, hissing I've ever heard from 6' away.-My refridgerator is running in the background and I can still hear hiss.-Hissy hiss hiss.-Unplugged all … One of the benefits of a dual concentric design is the elimination of the time of arrival differences between drivers in different points in space. If the waveguide of the HF driver is moving backwards and forwards as the tweeter’s output propagates across it, it will cause a pitch modulation. Now, let’s talk about this guy, the IN-8 3-Way Studio Monitor from Kali Audio, which is a company based in California. Copyright (C) 2020, http://www.pro-tools-expert.com/default-image.jpg, Plug-in Subscription Plans - Free Calculator, 3 Way Compact Studio Monitors - 7 Of The Best, HEDD Mk 2 Series Monitors Offer Ported Or Sealed In One Speaker, Pro Studio Quality Speakers At A Project Price - Studiospares SN6A Active Monitors Tested. These active speakers are driven by a trio of class D amplifiers 60W for the LF and two 40W amps for the MF and HF drivers. It’s not obnoxious or even distracting but it is there. It’s rare for me to still have an example of a related model I’ve already tested but in this case I still have the LP6s I tested in June and because I can, I set them up for comparison with the IN8. One thing it does mean is that the IN8 can be used in landscape orientation. You’re right. In that case, Kali Audio offers solid after-sales support. However clever the design, it all counts for little if the monitors don’t sound good. Speakers sound amazing for the price. The LP-8's next to the IN-8 was dirt cheap at $300 I think? The IN-8 has an 8-inch woofer, a single 4-inch midrange driver and a 1-inch tweeter, making use of the same woofer, tweeter and front port shape/design as the Kali LP-8 monitor. This should result in a wider sweet spot. Yes, it turned out that the original speaker was in fact damaged after Kali's investigation.. That said with the cancellation at 8-10khz it's still not up to the standards of Genelecs or anything, and I'm curious what the preference rating ends up being for it vs the Kef LS50. As a person that owns a pair of LP6's, looking forward to these. While it’s true that the midrange driver will still move and potentially modulate the HF, with all being frequencies being above 330Hz the issue is effectively gone. Most analog gear I use makes some noise too. I’ll deal with the negative first. The IN8 are priced at $399 each and considering the nearest equivalent design we can think of is ten times this price (more on this later) the IN8 is rather on its own. I mainly looked at the Kali IN8 because they were 8" and I currently use Behringer Truth B2301A with 8" speaker. From Kali: Kali Audio's IN-8 is a 3-way studio monitor with an 8-inch woofer and a 4-Inch midrange with a coaxial 1-inch tweeter. He is a Certified Pro Tools Instructor …, Trusted content from independent music and post production experts. Thaks, I didn't know about the noise. I may have been a particular pair you had, or the interface or power source. I'm looking forward to the reviews on the IN8. With all the bass information below around 330Hz being handled by the 8” bass driver, the modulation issues can be solved. At short wavelengths, small discontinuities in the typically smooth surface of a waveguide cause diffractions and re-radiation. In that case, Kali Audio offers solid after-sales support. Using the same woofer and tweeter from Kali’s celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion. Looks very interesting. 19th June 2019 ... loved the sound but sadly the hiss was too much for me. For a 3-way design, it pretty much stands alone, even seen purely as an inexpensive dual concentric design it doesn’t have much competition at this price but as both, it stands alone. Unfortunately, things aren’t quite that simple. The drivers themselves are a coated paper 8” bass driver and a dual concentric arrangement of 4” midrange and soft dome tweeter and it is this dual concentric complement of drivers, which makes this monitor so unusual and so interesting. Clinton D Stewart from Houston, Tx. A single driver behaves more like a point source and doesn’t suffer from these effects but covering the full spectrum at a reasonable level isn’t really possible. Two-way or three-way? 3 WAY MONITOR – Unlike conventional 2-way speaker designs, the IN-8 features 3 drivers for low, mid, and high frequencies, offering realistic, accurate stereo imaging you have to hear to believe. Too big to be used as meter-bridge nearfields yet not quite large enough to impress as main studio monitors – there was a time when monitors of this size were rare beasts. Kali Audio makes entry level studio monitors like the LP-6 and LP-8, which are quite popular these days, and they just came up with the IN-8, which is a three way studio monitor. If you want to study reverb tails or the effects of different dither settings then these might not be the best choice but if you’re mixing music it’s not going to be a problem. Make Sure You Know The Basics, Top Studio Monitor Roundup 2020 - Budget Home Studio Systems Through To High-End Loudspeakers - We Help You Choose. This issue becomes more pronounced as lower frequencies are reproduced. Employing the same tweeter and woofer, the IN-8 incorporates an additional mid-range driver which works as a waveguide and encases the tweeter. A three-way design is more complex and there is far more to get right. The 2nd flaw is applicable to small rooms. How do they sound? In this, on-test article, we test the Kali Audio IN8, an ultra-affordable, dual-concentric, 3-way monitor. I have possibly the first LP-6 to be shipped from any US retailer and I'd get no more hiss from the tweeter than I get from every active monitor tweeter. Justin Colletti takes a first look at the new IN-8 monitors from Kali Audio. Anyone who has ever dealt with three sets of variables will appreciate that it’s a lot more than 50% more complicated than two, so when designing an inexpensive monitor, three-way is not the route to an easy life. I'm looking forward to some IN8 shootouts with 1000$ monitors and higher. While the issues introduced by diffraction caused by discontinuities around the HF driver in a dual concentric format are difficult to remove entirely, the doppler modulation caused by the deep bass issue can be avoided by using a 3-way design. Rest everything else sounds great! In this, on-test article, we test the Kali Audio IN8, an ultra-affordable, dual-concentric, 3-way monitor. Kali Audio IN8 Monitors Tested - How Can These 3 Way Dual Concentric Monitors Cost So Little? Maybe a power conditioner would have helped, it was a pretty present white noise sound. The advantages of a three-way format are easy to appreciate, a driver that performs well at low frequencies is rather different to one which operates well up in the midrange and a design that uses a bass-midrange driver usually involves bringing the crossover frequency down into the 1-2KHz range, right where a lot of crucial information sits. The IN8 shares similar construction as the LP series, using wrapped MDF and a plastic baffle. The Kali Audio IN-8 studio monitor builds on the solid architecture of the brand's renowned LP8. 2. The cabinet construction is a little on the light side but fit and finish are both excellent, the porting is to the front and shares the same Low Noise design as the LP series. Kali's latest speakers demonstrate some serious electro-acoustic know-how — and represent remarkable value for money. Mounting an HF driver in the centre of a larger bass/mid driver offers a practical way to get a full range point source monitor. The amps are noisy. Kali Audio’s IN-8 speakers do boast a number of tech features, which make them highly desirable for the price, including a midrange driver and tweeter that are coaxial or coincidental, thus allowing them to share the same acoustic center (movement of the midrange is only about 1mm at peak output, and so there is no interference with the tweeter). This is serious pro monitoring at a fantastic price. The rear panel has XLR, TRS and RCA analogue inputs, with accompanying attenuator, an IEC AC socket, power switch and a row of dipswitches with preset filters to compensate for various room placements and voicing options. https://scontent-sjc3-1.xx.fbcdn.net...29&oe=5DA93676, https://scontent-sjc3-1.xx.fbcdn.net...=AQnI99WTQf-sv, https://www.facebook.com/kaliaudio/p...529713/?type=3, AES 2019: Kali Audio Announces new IN-8 Coincident Studio Monitor. That being said, as soon as you pass audio you’re not going to notice it, apart from in the quietest of pauses. These things sound so good. A combination which is so unusual it may be unique. Kali Audio IN-8 3-Way Powered Studio Monitor, 8" A step up from Kali's LP series, the 3-way IN-8 delivers a clear, lifelike stereo image with its coaxial midrange and HF drivers, along with its 8" woofer. The latest entry in the Kali Audio line of affordable, powered studio monitors is the IN-8 three-way speaker, expanding on the Kali two-way LP-6 and LP-8 powered models. As 3-way monitors in ported cabinets I ran these up against my Neumann KH310s, a much more expensive, 3-way monitor, which uses a sealed box cabinet. But Kali Audio’s IN-8s are the third eight-inch-driver monitors we’ve tested in as many months. Kali Audio made a splash with the LP monitors and the IN-8s are just as dramatic a release. Buy Kali Audio IN-8 Powered 3-Way Coincident Studio Monitor (Single, Black) featuring 8" Poly Coated Paper Woofer, 4" Poly Coated Paper Midrange Driver, 1" Textile Dome Tweeter, Coincidental Mid/Hi Driver, Mid Driver - Low Excursion Waveguide, 45 Hz to 21 kHz Frequency Response, 140W Output - 114 dB Max SPL Output, Integrated Boundary Comp EQ, XLR, 1/4" TRS, RCA Inputs, Includes Power Cord. It does has hiss, and I have the Kali sub. Only questions that I have for now: is there an IN-6 comings at some point? It is better than mixing on my cheap headphones, especially after I treated the room a bit and got Sonarworks going. Kali Audio’s IN-8 speakers do boast a number of tech features, which make them highly desirable for the price, including a midrange driver and tweeter that are coaxial or coincidental, thus allowing them to share the same acoustic center (movement of the midrange is only about 1mm at peak output, and so there is no interference with the tweeter). Anyone know when these are to be available? In this arrangement, the cone of the bass/mid driver is also the waveguide of the coaxially mounted HF driver. Great price but kind of concerns me when it comes to the midrange driver that surrounds the tweeter 399... Position 3-5 feet away inaudible with nothing playing distance of 2.8m you ’ re asking what the is. Lp-8 's next to the more restrained IN8 as I would with others and I currently Behringer. 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